Saturday, September 15, 2018

essay from last year

Foreward: I wrote this last year after seeing 2017's "It". I'm still a politically searching person and my ideas have shifted if not completely changed since writing this essay. Nonetheless I think it deserves to see the light of day especially if I don't need to edit it or be held strictly accountable for these ideas.  


 a potentially copyrighted image.

The reason we can condemn "It" is because Beverly's depiction isn't good revolutionary material-- despite having agency, she's still
>written by a cis white male
>sexualized as a child
>sexually abused and the sexual attention of all her male friends
>reaches apotheosis through weird, plausibly unhealthy sewer "orgy"

But actually it's probably arch and stupid to pretend that specific books meet some revolutionary standard over others when the practical actions of even just making life better for oppressed people hardly depend on the contents of "It", exactly, except by moving the standard of what children and women should be doing and with what sensitivities they are depicted in mass media, which arguably this standard has purchase on the way people in general behave ?

Like the argument is, if it's just a piece of fiction, not an instructional text that is going to be followed, how does it make life for anyone worse? By influencing people who will be influenced by the {bad way that Bev is written, + the actions she undertakes}?

The movie I can condemn because the way it sexualizes Bev is standard hollywood National Lampoon fare like slow mo shots, maybe appropriate for calling up a standard teenage reaction to: a girl, but unfair for not putting Bev in a box about what she should do with her teenage body??

The movie I can condemn for showing unconsensual kissing as a good thing?? Although, situationally, within the fiction, it worked out? Should movies follow a standard logic that fits within our shared values of what should happen and also what probably would happen, esp. considering the legacy of thousands of years of patriarchy?

Maybe it's that the movie seemed clueless to the issues it raised, while also depicting Bev's individual struggle with school and her father, on that basis I can condemn it:; if you're gonna depict a girl sexually oppressed at her home and by her classmates but if you don't touch on how the sexual attention of her male friends can also be a huge problem then it probably does seem naive, and a disservice to the struggle of women, if and only if the service/disservice to the struggle of women thing is actually in question.

I feel like I'm operating under the assumption that I can know what is, at a reasonable expectation, something that meets the standards of ?a generalized feminist? albeit not everyone at all I can consider a feminist (and I try to get away from that term(

well why do that?
Porpentine talked about how everyone doesn't have to put themselves under the same label, it's a marketing scam, and also how she didn't want to adopt the label of the people who severely abused her and Ill add, caused her nothing less brain damage
Also I've seen tweets that are like, it should be some larger decolonial project, not just "feminism"
Which is like enough. Maybe the struggle to have everyone agree that they are a feminist is sort of past, or passe, considering that even such huge global terms are also subject to what I call in seriousness and in huge abstraction "fashion"
>Suffice to say, if you're not a feminist, it's become the norm that you are the one who has some specific front to describe yourself, i.e. the alternative now is the Alt-Right dude, like everyone I know north and south of the train tracks is a communist by default
>That being said the actual baseses of power are conservative cocklords as much as ever.

...Which is the point I bounced off of, maybe a universal means of address politically is not what's needed, from me at least, Fuck Theory also claiming that the center is a misnomer as most people occupy a place of unknowing, not a specific political band between left and right. And not knowing, a taoist position (what isn't?), is or isn't encouraged by a break from the dichotomy of feminist/not feminist which is already built to be one-sided in Peter Webb's mysterious but sure political response?

Mass line work seems an applicable and more ideal, less "manager of poverty"-style means of activism, like as much as something can "pop off" there is the Serve The People programs, one of which even recommends as a salve to Gentrification they physically exclude and discourage hipsters/ and hipster spaces (with violence). Quaker tenets, "violence is not the answer" absolutely occupies a place of total dogmatic authority which is contraindicated by the need to not tell oppressed people what to believe in. "Violence is not the answer" as: non-proselytizing personal piece of information.

Although-- prostelytizing to march against war? Not exactly "telling oppressed people what to believe in". I believe in never committing violence, demanding nonviolence from those in authority, and never offering oppressed people unsolicited advice. To that end Quakers should organize an a large-scale alternative to the police force, tax revolt, single-issuing themselves out of sociery, or doing the most they can in such a society, attempting to change it from within? Knowledge that this will work/ won't work?

Where does the movie "It" come in? The purpose is, to point out, that the movie reinforced some old tropes that I know at least influenced my youth, like, this picture of abused people, how "love can save" etc., that despite not having a universal take on the lives of abused people, are still pretty bad advice. If you can consider the movie advice, which I sort of see a lot of these tales as in some ways being?

Like, in the original book, there's some ingrown logic of defeating the monster by standing up to your fear (which the movie largely but not totally abandons), and bc the monster exacerbates real social issues like Bev's abusive father, the book kinda functions as a fictional casebook for how people get out of these situations. So there's an implicit instructional aspect to the book, because it depicts a series of cases of real social issues wherein the protagonists follow a common logic (don't be afraid!) to solve, or at least avoid. Also the universiality of that message...

Maybe the book isn't instructional but is rather relying on the apparent and probably universally accepted practicality of the message Don't Be Afraid! to make the protagonists's victories also universally acceptable and even practical, supernatural that they may be. The trick is not to see the books as instructional but to see the common logic of our lives as making the action in a book, if so logical, meaningful. Then you could say, there's also some things that happen in the book which follow shitty logics like at least in the movie the unconsensual kiss, but they aren't instructional, they'r more evidence that the creators of the film were willing to employ shitty logic and maybe use that logic themselves.

Like kissing the unconcious girl to magically and happily wake her up follows a logic which is shitty because the logic fails to take into account that kissing unconcious people is unconsensual, and moreover, fails to take into account the worldwide history-spanning history of women's consent being trampled. Ben was, although we can assume because the moment is obviously a trope (can we assume?) actually forgoeing Bev's consent, taking a risk that he was hurting Bev, violating her boundaries (yes, even when magically unconcious).

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