Friday, May 18, 2018
2010's "Scott Pilgrim": at once, a legitimate ballad to video games, the showcase for about 10-15 of ppl born in the late eighties-nineties, a visual spectacle and faithful adaptation of the (decent and fun and a little deep) graphic novel. And also completely ruined by Michael Cera.
Look at this excited, confused little asshole. Look at his stupid face. Sure, he's projecting a mix of misery and determination, he doesn't have the acting skills to back it up tho... maybe when he's fifty.
When he looks like a sad sack of shit, like he is. Michael Cera is a nebbish. A schlemiel. He doesn't deserve the girl. He's a much a son of a bitch as Leslie Knope was.
Don't get me wrong. I think Leslie Knope is a decent character. She's a schlemiel, and she's lucky. But I don't like the show's treatment of her. It gives her too much success. And not only that, but her success is aspirational. I don't want Michael Scott to succeed either.
It's because I like my comedies dark, and I don't want them moralizing at me. And I don't want the butt of the joke to get ahead. Comedy is for the suffering.
So who could have played "Scott Pilgrim"? It is Paul Dano.
Paul Dano isn't a schleimel. He just plays one on TV. He actually can act. It's 'nuff said. But basically things have some dramatic weight when you can show real suffering, the comedy is good, baby!! Also... it takes a chad to play a virgin... a winner to nail the loser.
Saturday, May 12, 2018
in studio ghibli films:
the environment is primal and besieged
magic is akin to a wild animal
the young and courageous are righteous and win, usually
innocence usually (although not always) translates to friendliness
everyone including villains has good intentions
even forces of seeming pure evil can be turned for good (and vice versa
so the reverse would be:
the environment is technological and dominant
magic is like a civilized person
the young are ignorant cowards
innocence usually (although not always) translates to cruelty
no one has good intentions
forces of pure evil and good never intermix
Friday, May 11, 2018
- generally all the pariahs were cool and functioned like a charm. even very weird ones like the arachnopolis rex. spotlight dogs were a good awesome introduction! many interesting moments from pariahs like these.
- light as initiative: simple, gave the PCs a much needed boost, drove home the importance of light. they loved this
- inspiration: you can fit anything in the veins, and moreover, I felt inspired by the mix of off-realism and dirty fantasy to design a lot of cool shit like dvargir tanks. with the pariahs and the flavor and everything a definite original tone came across, like one player said repeatedly, "this isn't dnd".
- I created so much content on the backs of this setting and tone, you can see it on my blog under the "veins" label or compiled here
- I genuinely feel that the chaotic nature of anything-goes OSR style play was really supported by the alien architecture of play. I threw a modern day mall in, it was a little kitsch but it was also uncanny. They had troll teeth that could grow infinite food and several infinite sources of light; they had vehicles; all of these things came to ameliorate and negotiate a series of disturbing and perhaps impossible challenges which created very varied play.
- quoth skerples: "You'll carry a sword that can cut a syllable in half but your face will be streaked with clay and muck. You'll cut your hair off and file your teeth into points, but you'll also find a machine that spins music into cloth."
- players enjoyed the effects table and constantly asked to roll on it
- I only used two of the cave systems. I made a lot of them, put a bunch of hours into designing many and many different representations thereof, only used 2. Mostly because:
- wasn't exactly sure how to link them up with the overland travel system
- I felt trepidation about caving; climbing or squeezing challenges specifically
- In retrospect I wish I had tried to use 'em.
- overland travel system was a mixed bag. it works ok but some standing questions like how do you navigate weren't really answered and I didn't feel like the quad-directionality of the charts ever came up. Moreover, what the routes looked like was only lightly detailed in the book and this left me with little to use frequently.
- some ambiguities were particularly bad, like the patterns of broken underground cities across the two segments of the map don't seem to match
- the exploration table: both good and bad. good because it was good at generating consequences and it would direct you over to the "one hundred encounters" table which was great but bad because some of the consequences were tricky to implement or repetitive. "Separated by a traverse/pitch" or "one player gets lost" came up a lot and coming up with a climbing challenge or navigation difficulty on the fly was a struggle. I usually ignored "act as one level lower" results because they're all level 1 heheh.
- I was frustrated by the ambiguity of when the table should came into play since it had such severe consequences for the players.
- I wish I used the rapture more.
- lumes and inventory mostly were in the background.
- over time I ended up not liking the stiffness of the pages of the book and I thought the art was printed murky, ironic, I know. I first got to know the book through PDF and I had a lot more appreciation for the art at that point. Like I've said before I wish the book was A4 although you gotta take what you can get
- I wish I had some framework for designing settlements and regions, at least a little. It's my fine conclusion that part of the essence of the veins of the earth is a big question mark when it comes to things like "economy" and yeah you can slot whatever you want in, it does indeed function like an ak47 as the back of the book says. that being said there's virtually no starting point in the book for designing locales
- Ultimately the method for designing cave systems is pretty shitty. Lots of long, thin tunnels, no dead-ends, it's even kind of awkward to roll the dice and note where they go. I found it's easier just to sketch a bunch of caves
- As regards the book's races, I only ever used the Aelf-Adal (at least up close, the dvargir did most of the architecture of my campaign, the knotsmen were in the distance but not encountered in person). Honestly it was hard to roleplay Aelf-Adal from the included texts, didn't feel like I got a big juicy bite. Most of the time I just used "humans". w/e
- biggest complaint: overland travel was ambiguous. second biggest complaint was cave systems seemed kinda inaccessible. the other stuff (no details for settlements, fucked up nature of the economy) sorta just threw me in the deep end and I learned to swim.
- undeniably this was a successful hexcrawl. I had a great moment about 2/3 of the way through where I had written enough and I could just let the rest play out. there was this ultimate selection of priorities that the players had, they could choose between weird things. and everything was very weird. plus they actually managed to survive, for a while
- you definitely have to hack a bunch to make veins work (as intended)
- the excellent off-realism/dirty fantasy tone fucking functioned
Sunday, May 6, 2018
Thursday, May 3, 2018
1st level spongebath eviscerate demonstrate // vividness color scheme 2nd level diamond hand brash neo dynamite powder the lesson is learned, by the damage inevitable 3rd you can’t keep coming here anymore the nose imagine // siamese twin the breaks spongebath 1st level wizard s,m: a sponge cleans any identical surface, makes it so you can see the larger void beneath them- essentially peering into it, whatever it is. you can even reach in and take something out or put something in. after d4 minutes the hole closes. does d4 damage to a living surface. eviscerate 1st level tiny hands come up and pull at the feet and other organs of any creature touching the ground. d4 points of damage/body part touching the ground. great on prones demonstrate makes an invisible object appear visible for d8 minutes. can be prepared and cast interchangably with vividness. v,s vividness small hands emerge from a point of your choosing (they’re illusory) and point to any nearby invisible auras, persons, objects, such as magic auras, whatever. more hands appear if the thing/person/aura is stronger. can be cast interchanbly with demonstrate. v color scheme all the colors on a person or object of up to house size are rearranged, brightened, whatever. does d8 damage permanent v,s,m m: a magazine or other small publication with colored ink casting time: 1 action DIAMOND HAND v,s yours or another’s hand becomes immune to damage and in fact can produce unlimited amounts of force for a short time. this means you can push pull, or otherwise lift anything of any size, albeit don’t expect most large things you pick up to hold together under the enormous strain of your powerful hand. used as a fist this attack does 3d10 damage (you still need to roll to hit). duration: d4 rounds rolled secret by gm BRASH target: one subject, save vs. magic to avoid someone is teleported far away, and then back again at high velocity. there is enough time wherever they are teleported to do one round’s worth of actions. you choose the destination- it either is familiar to you or fits a general description. when they come back they have 30ft of momentum, which if slammed into a wall/floor will produce 3d6 damage. teleporting to somewhere very dangerous such as the inside of a volcano: works but then the subject plus some of the dangerous stuff are aimed at you the caster on the return v,s,m m: 100sp in currency, casting time 1 round neo dynamite powder v,s,m. m: broken up pieces of either a coin or a banknote of any value, 1 ounce casting time: 2 rounds your material component is transformed into very high power gunpowder. explodes when you snap your fingers. total of 5d6 damage, x3 dmg if carefully packed inside someone/thing. THE LESSON IS LEARNED, BY THE DAMAGE INEVITABLE v,s,m level 2 m: book of common prayer, focus, not consumed a wave of force, 15’x15’ wide, passes through 30’ of space, tracing either a straight line or an arc of no more than 30*. everyone caught within the wave forgets the last 30 seconds of their life, save vs. magic to avoid. if you save you forget 5 seconds. if you crit fail you forget 8 hours. confused people will probably take at least one round to figure out what is going on. casting time: free action (this is clearly a cleric spell -ed) YOU CAN’T KEEP COMING HERE ANYMORE save vs magic to avoid. if u save heal 1 hp the emotions within one subject boil up and create a tumor, which will activate dealing 1d8 damage per round if some condition is met. the condition can be anything; even “existing”. if you roll an 8 for tumor damage it bursts and then the subject has cancer. cutting out the tumor? need to make a heal check = to spell’s save dc, d10 damage per attempt the nose summons a large nose shaped demon. it will do your bidding but it is easily distracted by such as delicious pies. the nose: 8hd, two attacks: inhale (save vs. para to avoid) then grapple for 8 auto damage/round. fly 30ft ml 7 v,s,m, m: a large slice of a pie baked with human hair casting time: 3 rounds imagine acts as a minor wish, meaning you can conjure up some minor effect, like “all the walls in my house turn to glass”. if the effect is lethal: it is illusory, lasts only d4 rounds, save to disbelieve. can be cast interchangably with “siamese twin” v,m. m: an adult cat siamese twin for the duration of the spell, you have two sets of arms, two sets of legs, two sets of eyes, ears, two mouths, double genetalia, double organs. you get an extra save to resist any effect that gives you a save. you get two rolls to notice anything, hear anything, or otherwise use your senses. you can hold double the amount of stuff and your speed is doubled. you can still only take the usual amount of actions per round. duration: four hours v,s can be cast interchangably with imagine the breaks v,s m: 700 identical wooden boxes all of the boxes flap and begin gnawing on something, chewing it to bits. if they are succesful they then store the bits of whatever it is inside of them. thus you can only effect matter equivalent to the total volume of the boxes. each box: 1hd, 1hp, 1dmg, speed 10ft