A Superfight is a writing exercise where you run a fictional tournament between some fictional combatants. Today's fighters are:
Witch Hazel (of Looney Tunes)
- Witch Hazel vs. Horse
- Guts vs. Yugioh
- Mewtwo vs. Baby
culture reviews and dark horror trpg content
A Superfight is a writing exercise where you run a fictional tournament between some fictional combatants. Today's fighters are:
What are they doing?
Video Still of Ronnie O'Neal's Trial Glitched by My Phone |
Ronnie O'Neal transformed his murder trial, for a crime of which he was obviously guilty, into theatrics of his own fractured personality, the personality which killed his child and his child’s mother. When his public defender refused to use a “stand your ground” defence, Ronnie decided to be his own attorney, and the resulting pacing and yelling went viral.
In this impacful staging, Ronnie succeeded at becoming famous, even if his intent was only to free himself. I get the sneaking suspicion, though, that Ronnie did not anticipate his future freedom, and instead pursued something like notoriety or self-expression. Somewhat, his intent did not matter, as he was stuck in a situation ahead of himself, unable to escape.
So, in such a situation, isn't there something in performance? All the world's a stage, and the company acts pointlessly, as Georges Batallie says in The Accursed Share: “Beyond our immediate ends, man’s activity in fact pursues the infinite and useless fufillment of the universe.” Didn't Ronnie's defence pursue something useless, and universal?
The captured criminal is the tiger in the zoo, so different than the tiger upon you. There is a visible sucking out as the caged thing writhes in the audience’s view. The passion of life becomes alike begging, the lines of power make themselves known.
Joe Exotic knows how to use structures of power, naïve as he was about his security within them. I’ve said that outlaws tend to have a Death they are seeking out, their unrestrained actions show an ignorance that must be, in some ways, intentional. I think Joe is aware of the potential for it all to come crashing down and is somewhat unafraid.
That, at least, is what ambitions tells us. Either in Ronnie O'Neal screaming at his jury or in the search for a Bachelor King, there is an admirable *image*, at least, of “I AM NOT AFRAID.”
But, of course, Ronnie and Joe are scared, everyone is; and we might, too, value leaving an image, when facing eternity.
The Assistant (2019) is a movie totally dedicated to the semi-invisible signs left by abuse, in this case, within the film industry. The main character swims through these signs, at the height of the film coming into direct opposition with the source, before returning to normality.
Signs of abuse modeled in the film:
I think so often Lust, and by extension, Blogging, is an admission that we feel something, want to love, want to be a part of it.
An admission of desire, a seeming want to compete in a worldwide network of such admissions. To lust is to struggle, (as it is to Blog).
Lust is the desire to participate. To not only join the universal human struggle but to direct it, at least a little. For your direction to matter.
The experience we have culminates in taste. Lust is often the desire to have our tastes be actualized, applied, and viewed. Lust is tied to our desire for family to support us. Lust is a desire for the world to accept us.
We are on here because of Lust. The desire to be read is Lustful. Publishing absolutely is a seeking of appreciation. Selling yourself as a person with attractive ideas.
This is why there's this glamour-preening network of bloggers, tweeters, facebook-users... Trying to meld themselves into appealing ink. We want to be read, we want to feel the adulation.
I am constantly battered by ideas and impulses. There is no definitive goal that seems easy to achieve. The more concrete the outcome, the more it competes with a world of outcomes.
The feeling in my life currently is: sedentary body stresses. The thin headache from morning coffee and its aftertaste which I still have from yesterday.
I finished up Disco Elysium today, it was cathartic. Existential art speaks to my stranded being. It's a video game, and my tenuous roleplay within it led to tenuous outcomes.
This game offers context for everything. This context underwrites and complicates all of your choices. Each story thread usually has deep rewards near the end that you will often get locked out of ever achieving. This tightwaddedness is good for games which use secrets as currency. In many dialogue-path adventure stories, the depth of the threads feels achievable after one playthrough. But Disco Elysium withholds a lot.
It makes you reliant on the game's market-society of actors. They want different compromises or are simply uninterested with you. Dealing with them often implies future losses.
I think having to permanently fail a lot in order to bargain for whatever (petty?) ultimate goal you have in mind is a good place to be for catharsis. I was invited to have troubles and I am happy that I ended up with battle scars, lost pathways, and negotiated victories. That's life! (Post Written May 16th 2020)